Few classical music masterpieces evoke such imagery association as the composer Antonio Vivaldi’s 18th century score, The Four Seasons. Showcased in many a film, tv show, commercial, and music appreciation class in nearly every school grade and collegiate setting, the grouping of four unique concertos, or solo instrument played with an orchestra, feature musical phrases that have become iconic centuries after their creation.
Several iterations of ballet choreography have materialized during modern times, and they all point to the beauty of nature and the universal experience of the seasons in our daily lives and surroundings. Every aspect of life is touched by nature’s rhythm of spring, summer, fall, and winter returning afresh again and again.
The two most notable choreography works interpreting Vivaldi’s music comes from renowned choreographers, Jerome Robbins & James Kudelka. Their dazzlingly differing interpretations of the four concerti shine in the following video clips. As you watch, take note of the differences and even some similarities that are found in these performance excerpts from the Fall and Spring variations:
1) Intermediate, Advanced class students: What are some choreography differences that you notice? Aspects that are similar? Any unique traits that you notice with the costuming, dancer’s expression, music characteristics (tempo, style, etc) for each piece, fall & spring?
2) Beginner Intermediate, Advanced class students: What ways do you notice both choreographers have interpreted and expressed the concept of nature’s seasons?
3) Preschool, Beginner, Intermediate & Advanced class students: Which season, music and dancing, is your favorite?
Excited to discuss these questions and more in class as we listen to the music and learn our own unique choreography for our recital pieces!